Anna Vandelman reports:
Meeting March 18th, 2015
Our Artist in Residence, Laya Crust, took us through an extensive review of Passover just as we entered the last few weeks of making our own Pesach.
She shared the artistic history of the Haggadah with a table full of beautiful examples. She showed us how the art in each Haggadah revealed local customs as well as social and political issues through elements such as clothing, furniture, buildings, symbols, and artistic style. The first printed map of Israel occurs in a Haggadah of 1526, the first etching of the Four Sons in a Haggadah of 1695, and the political aspirations of the Jewish Brigade are expressed in its Haggadah of 1943. And, we see how marketing gimmicks promote the use of particular Haggadot: Once coffee was available kosher for Passover, Maxwell House capitalized on that by providing a Haggadah with the purchase of a jar of coffee. We can see in the variety of Haggadot that its themes are continually reinterpreted, in text, but especially in art.
Members then examined Passover artifacts brought in by other Guild members. And we all started working on a hands-on activity of designing a Passover apron: to wear for getting the kitchen clean, making the chicken soup or gefilte fish, or engaging younger members in the family in the process. Thank you Leah for an exciting programme.
Meeting April 15th 2015
Our April meeting was an exciting co-presentation by the Pomegranate Guild and Darchei Noam synagogue, at Darchei Noam. The lecture and exhibit of her art by Dr. Myriam Nafte blew us all away!
Sara Petroff, Chair of the Art Committee at Darchei Noam welcomed us all and introduced Pomegranate Guild president Karen Chisvin. As this evening was the eve of Yom HaShoah, Karen commemorated the event with remarks that honoured the martyrs, survivors and resistance fighters, the Hagvurah and then introduced the artist/speaker Dr. Myriam Nafte.
Dr. Myriam Nafte is a woman for all seasons, involved in medicine, anthropology, mathematics, mysticism, forensics, science and Judaica (and, oh yes, art). She began as a textile artist doing aleph bet paintings on silk: a tapestry of Jewish thought, words of wisdom, words of praise. She uses text as powerful imagery. After many years of examining anatomical and other scientific texts for their drawings, Myriam spent a period of time learning Hebrew calligraphy from her sofer/artist father. This brought her back to those same scientific texts with the discovery that Hebrew was a significant scientific language, not just a language of ritual and religion. In the Middle Ages, the Renaissance, the early Enlightenment, Jews were involved in science, math, and cosmography. They invented navigational instruments, and other tools and techniques – so many rich contributions hidden and lost. Myriam’s work recovers and re-situates Hebrew text for us as a language of art.
After the inspiring lecture we toured the hall to view incredible paintings by both Myriam and her father.